Categories: there are tons of them in fiction. In the crime genre there is hard-boiled, soft-boiled, amateur sleuth, noir, cozy, police procedural, serial killer, private eye, and on. Same with romance novels: historical, regency, steamy, cowboy, time travel. More genres: sci fi, fantasy, horror. We all like to read different things, and write them, so categories help us find something in our favored niche. Categories serve their purpose.
But for writers like me, the category, the slot, the genre feels like vise grips sometimes, constricting and inflexible. Is it necessary? Is it a marketing gimmick? Can’t I just write the damn book and let the readers decide? Well, no, actually. You have to put a label on most everything. It’s called marketing — even though we may call it @#!@#$.
The same goes with writing a mystery series v. the stand-alone novel. The mystery series has been popular since Sherlock Holmes started his serial adventures, and will probably never die. Readers love following a sleuth from book to book. I know I do. Sue Grafton is almost finished with the alphabet after publishing ‘A is for Alibi’ over 30 years ago. (I had to look that up — 1982! Now that’s a run.) How difficult would it be for me to write 20+ books in the same world, with the same character!? Answer: really hard. Her heroine Kinsey Millhone is stuck in the ’80s too, making her cell phone and internet use nonexistent. Great books by a great writer, in my opinion. Lovely person, Sue Grafton. But I couldn’t do it. All my hair would be gone. Sue’s looks gorgeous.
So after two mystery series I started writing stand-alones. They are harder to sell ( and #*@&! market) without those built-in audiences clamoring for the next installment in a series. And somewhat harder to write because you have to build the world — and the characters — all over again each time. Author Laurie R. King says this about the standalone:
While a series permits a writer to develop a set of characters over a period of time, a standalone novel represents the only opportunity these people have to live and breathe and tell their stories. Even if some of them reappear (and my standalones do have the occasional link and overlap), their book must have a sense of completeness, must contain an entire universe within its pages.
Tamera’s series books are considered “stand-alone” novels, meaning they can be read out of order. However, if you’re planning to read all of the books in a series, you should read them in order for the most fulfilling story experience.
Cross genre writing can be a slog, yet Rory Tate succeeds at crossing multiple genre boundaries. Plan X accomplishes all its goals: From boy meets girl to girl comes into her own and unravels both police-work and personal dilemmas inside a complex and satisfying plot structure.